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Über das Projekt
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Redaktion
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Impressum
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Datenschutz
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RSS
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Rubriken
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Themen
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Archiv
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Forschungsprojekte melden
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Bilder der „Katastrophe“
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Saskia Zweck
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Samurai und Kamikaze
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Vera Marstaller
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Visuelle Kommunikation in antisemitischen Diskursen
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Tobias Ebbrecht-Hartmann
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Podcast: Visual History – ein Gespräch über das Arbeiten mit Bild-Quellen
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Christine Bartlitz
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Press Photography Now!
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Alltagskulturelle Aneignungen
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Olaf Berg
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Das Werk Abisag Tüllmanns ist digital zugänglich: für alle Nutzer*innen!
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Annette Schuhmann
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CfP: The Material and the Virtual in Photographic Histories
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Heimat heute –
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Judith Kretzschmar
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Rüdiger Steinmetz
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Dokumentation und Demütigung:
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Michaela Scharf
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Podiumsdiskussion: Vernichtungskrieg an der Heimatfront – Neue Fotografien sowjetischer Gefangener aus dem Kriegsgefangenenlager Zeithain
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„Wir sind Stalins Helden“ – Ein Foto aus dem Kriegsgefangenenlager Zeithain
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Sandra Starke
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Für Entschädigungszahlungen an die ehemaligen mosambikanischen Vertragsarbeiter:innen
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Isabel Enzenbach
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Transformation von unten. Neue Perspektiven auf den Vereinigungsprozess
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Das digitale Bild – Die soziale Dimension, politische Perspektiven und ökonomische Zwänge
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Herstory
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Janin Afken
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Sarah Dellmann
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Katharina Voß
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Im Zeichen der Entspannungspolitik
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Henrik Bispinck
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Anna Kokenge
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Chris Vogelsänger
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„Gelernt habe ich im Laufe der Zeit, viel mehr auf das Bild selbst zu achten“
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Josephine Kuban
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Neu erschienen: Riss im Bild von Anja Tack
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Neu erschienen: Die Vereinten Nationen im Spiegel der Kunst
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Seeing the ‘Other’?
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Fotografie und Kriegsberichterstattung im Warschauer Aufstand 1944
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David Rojkowski
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Bildraum und Ausstellungsraum – Reenactment und Immersion?
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Ulrike Koppermann
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Die Geister der Bombe
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Markus Mirschel
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Die montierte Stadt
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Nora Kaschuba
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Tagung: Gezähnte Geschichte II. Philatelie und Postgeschichte aus historischer Perspektive
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#Deleted – Quellenarbeit auf Instagram
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Anne Vitten
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Miriam Zlobinski
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Ruth & Lotte Jacobi. Fotografien
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NEUE REZENSIONEN: H-SOZ-KULT
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Zwischen Raubgut, Fremddarstellungen und menschlichen Überresten – Sammlungsstrategien und sensible Objekte
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Anika Kreft
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Vernichtungskrieg und Provenienzforschung
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Private Blicke
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Die Fotografie der Landser
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Armin Kille
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Book Review: “Legacy in Stone: Syria before War” by Kevin Bubriski
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Zeina Elcheikh
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Bildkritik als Politische Ikonographie / Politische Ikonologie
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Der Fotografische Akt
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Felix Koltermann
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Fotografien von Holger Herschel: Mainzer Straße 1990
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Tagung: Private Blicke in Diktatur und Demokratie: Schmalfilme und Fotos im 20. Jahrhundert
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Antiziganismus
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Robert Mueller-Stahl
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Opfer als Bildagenten?
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Gegenbilder
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Lucia Halder
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CfP: Photojournalism and the archive: from analogue to digital
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Workshop: Das digitale Bild – Methodik und Methodologie: fachspezifisch oder transdisziplinär?
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Hubertus Kohle
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Geschichtsbilder in der Gegenwartskunst
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Melanie Franke
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40 Jahre Zeitschrift „Fotogeschichte“
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Freiwilligkeit und Zwang
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Matthias Harbeck
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Moritz Strickert
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Zeigen / Nichtzeigen
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Juni 2021
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Mai 2021
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April 2021
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März 2021
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Februar 2021
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Januar 2021
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Dezember 2020
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November 2020
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Oktober 2020
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September 2020
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August 2020
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Juli 2020
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Juni 2020
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Mai 2020
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April 2020
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März 2020
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Februar 2020
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Januar 2020
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Dezember 2019
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November 2019
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Oktober 2019
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September 2019
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August 2019
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Mai 2019
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April 2019
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Januar 2019
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Dezember 2018
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November 2018
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Oktober 2018
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September 2018
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August 2018
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März 2018
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Januar 2018
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Dezember 2017
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November 2017
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Oktober 2017
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September 2017
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August 2017
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April 2017
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März 2017
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Februar 2017
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Januar 2017
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Dezember 2016
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November 2016
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Oktober 2016
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September 2016
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August 2016
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Juli 2016
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Mai 2016
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April 2016
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März 2016
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Januar 2016
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Dezember 2015
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November 2015
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Oktober 2015
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September 2015
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August 2015
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Dezember 2014
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November 2014
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Oktober 2014
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September 2014
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April 2014
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März 2014
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Januar 2014
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Dezember 2013
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November 2013
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August 2013
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Juni 2013
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Anmelden
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