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On Longinus and bread…and the sublime
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Robert Desnos and Lewis Warsh
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Peter Taylor in Triple Vision
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The Last Apocalypse
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Brodsky’s Travels: Leningrad to Venice
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The Seicento and the Cult of Images
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Seeing with Words: Yves Bonnefoy and the Seicento
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Bibliographic Archæology in Cairo
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Belle of the Belle-Époque
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thirteen of her poems in English-language versions
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Women down the well
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George Maciunas and Fluxus
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Tintoretto at 500
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Leaving Sidi Bou Said
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Prose poetry lost and found
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The Prose Poem: What the hell is it?
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Roger Fry and the formalist project
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Thoughts on Germany
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Walter Benjamin and the City
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Denis Boyles
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Prospectus
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New Series
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subscribers
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Poetry Notes
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Clues & Labyrinths
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Currente Calamo
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Rejected! The history of literary disappointment
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Verisimilitudes: Essays and approximations
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The American Note
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Letter from Venice
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Una Visione Estesa
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The Trollope Prize
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Museums & Collections
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Reviews and comment
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Golden-beak
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The Invention of the Modern World
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Helen
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The Survival Manual
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After the Snowbird, Comes the Whale
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My First Thirty Years
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TROLLOPE PRIZE
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Performative realism
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Love in a time of politics
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Trollope and Darwin
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Trollope’s ‘Feeling for the world’
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A Less-Beaten Path: Hybridity and Naturalism in Anthony Trollope’s West Indian Short Fiction
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Five new poems
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New poems
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Children of war in Palestine
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The Birds of the Sherborne Missal
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Vignettes (V)
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Lorenzo Calogero: Six poems
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An excerpt from ‘Blind Distance’
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Two poems
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‘After Argos…’
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Anthony Costello
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Five poems
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Translations of Shakespeare’s sonnets (and five more poems)
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Three new poems
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Rrose Sélevy
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Æcerbot
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Hefted
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Twelve prose poems
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Preface to ‘Émaux et camées’
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Five poems by Gëzim Hajdari
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‘After Tranströmer’ and four more poems
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Three poems
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My part in the downfall of everything: a satire on Deceit
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Diatribe
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‘Eucalypso Redux’
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Quite frankly
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Seven sonnets
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Two Vilanelles
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Three poems
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Grandeur
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Three poems
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Three récits
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A Scrap of Paper by Paul Hyacinthe Loyson
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Two new poems
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New poems
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Happiness Is the New Bedtime
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Four ‘ad-libs’ for John Berryman
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Three poems by Anne Mounic
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Essay on Spam
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Play — for 26 voices
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Six Poems
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Three new poems
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The Man Who Turned to Paper, with three more new poems
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The Wild Child
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The Picture in Ireland
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La Petite Gloire
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The Lay of Love and Death of Christoph Cornet Rilke von Langenau
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,
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‘Recessional’ and other new poems
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Six new poems
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Seven new poems
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Winétt de Rokha: Three Poems
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‘At Ladywell Cemetery’ and ‘Rossiya’
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Two Poems
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Six-Way Mirror
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Parabola
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Five poems by Jules Supervielle
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Three new poems
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Four Poems
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Fair
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Partita for solo violin
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Two poems
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‘Y’, by Pierre Voélin
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Fetish
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The Art of Writing and other poems
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Midrash
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Lingua Adamica
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A polyptych for Anne Frank
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Poems in Prose
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Four poems
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Five new poems
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Two poems from ‘Poems without Irony’
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Shrinking Cities and Small Station
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The Old Man
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An Encounter
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A recollection of L’Adorée
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The Attendant
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The Adjunct
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Fools Rush In
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The More Things Change
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Once more with feeling
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Men with women
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More
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Things
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The Vanishing
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Nine tiny fictions
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New York Hotel and Five Other Prose Pieces
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Italian Lessons
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Nine thimblefuls of fiction
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Gold
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Do you know Brunetière?
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Yetta Blaze de Bury
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Elton Hocking
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La Serenissima:
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Remy de Gourmont:
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according
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André du Bouchet
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an introduction
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A Memorial Dossier honoring Yves Bonnefoy
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Reflections on Walter Benjamin
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The Tagore Dossier
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At the Fair
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Post-impressionists
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Post-Impressionism
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The function of criticism at the present time
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The interview as text and performance
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Octavio Paz in Cambridge, 1970
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The Wonders of Man in the Age of Simulations
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Henry James
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A ‘Pataphysical Education
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Ringing the Changes
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On ‘The Manager’
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Artists and their physicians
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The Utopian Animal
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Coleridge, poetry and the ‘rage for disorder’
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The other side where sight is without eyes
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extreme religious experiences
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Otto Rank’s Variations on a Theme
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Arthur Rimbaud’s anti-poetic life
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Anthony Rudolf’s literary Wunderkammer
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Peter Dent’s ‘starmaps left for night’
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A ‘slanting view’ of Peter Redgrove
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The Making of Mugabe
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Thought Leaders and Ted Talks
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Satire for the Millennium
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John Ashbery 1927-2017
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The Poems of Basil Bunting
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‘The New Beauty’
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Asprezza: a Paean to the Pioneer of the Madrigal
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Shame and shamelessness
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Sonnets for all
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Zoran Music in Dachau
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Pierre Loti
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Ibsen’s new drama
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Two essays on Jane Austen
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The Gospel of Honour
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A charming sense of the new
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The Case of Edmund Rack
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Notes from an Alpine Landscape
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Dreams…and nightmares of four civilisations
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Imagining Coleridge and Evans
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Augustus Young’s Heavy Years
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The cars, carpets and chemistry of the National Gallery’s John Mills
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Six pages from ‘Lots of Fun with Finnegans Wake
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Antonin Artaud in Ireland
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Martin Slater’s National Debt: A short history
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Modernist Aesthetics:
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Why write about war?
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Bernard Stone and the Turret
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With Warhol on the Move
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Summer Shelf
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The ‘awkwardness’ of Denise Riley,
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On a poem by John Riley
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Pierre Reverdy’s ‘non-novel’
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Expanded translation
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Extremist poetry of the last century
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Translating du Bouchet: An exchange with Peter Riley
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Zbigniew Kotowicz
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Of wisdom and folly in art
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new life of Whistler
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The Poems of ‘H.D.’
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Shelley, the ‘divine poet’
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Francis Thompson: A boy and his dog
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Santiago Ramón y Cajal’s Dreams of Nerve Cells
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Irony and Ironists
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R.B. Kitaj
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Modernist poetics
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Walter Benjamin and Surrealism
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Walter Benjamin: Notes for the End of Time
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The Poet and the Dictionary
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Textuality
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T
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An English Lady,
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The Rediscovery of the Unique
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Shakespeare’s ‘Islamic’ poem
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Midsummer Night’s Dream
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A Drohobych Diptych: The parallel lives of Bruno Schulz and Stepan Bandera
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Duties of care in the study of literature
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the listening body
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The poet as ‘strategic’ ironist
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Spender’s last take
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Language and genocide
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Karl O’Hanlon and Daragh Breen
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Angela Leighton and Geraldine Monk
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Lorenzo Calogero and Other Poets in Translation
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Ilhan Berk
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Poets, Calm
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Poets, Angry
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Christopher Middleton
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From on high and from the tall grass
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Poets once young
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The New Pastoral in French Poetry
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The Apophatic Poetry of André du Bouchet
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Mellors, Philpott, and the ‘poetry of rebellion’
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The Poetry of Autumn
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Poetry and the fearful symmetry
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The mosaic of the Transfiguration
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Imran Qureshi
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Peter Lanyon’s ‘Soaring Flight’
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How’s the Mood-Board?
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The Omega Point
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‘Tallys’ and the Postmodern Sublime
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Talking to Jan Harlan about Stanley Kubrick
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Somewhere else
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Nicolas Roeg
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The Secret Lives of Baba Segi’s Wives
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Three essays on Romeo and Juliet
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Dead Heads
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The beauty of quantitative easing
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The Work Programme
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Pin- and Pencil-Making in the 21st century
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Nick Lowe shows up for a friend.
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The Funeral of Isaac Albéniz
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Francesco Roberto, From His Diaries
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Who is Bruce Springsteen?
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Modern Nō Theatre
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Zorile
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Modernity and metaphysics
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How We Knew: Notes at the End of 37 Years in the Classroom.
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The Magdeburg Sphere by Marcel Cohen
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Montaigne’s ‘Genial Skepticism’
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Pin- and Pencil-Making In the Twenty-First Century
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Picturing Language
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The ‘mental engineering’ of Ludwig Wittgenstein
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Rejected!
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Philosophy of Literary Rejection
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Literary Rejection File: Gigs Gone Wrong
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Literary Rejection File: Cut With A Dull Blade!
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Literary rejection before the invention of slips
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Patrons and toadying
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The Poetry Book Fair’s (not so) free verse.
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Keats in the Ninth
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See, Infra: An introduction to ‘q.v.’
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Reflections on Walter Benjamin 4
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Fear and Loathing in the Royal Festival Hall
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The ‘Canonicity’ of Kafka – Reflections on Walter Benjamin 6
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Looking up Chinese Metaphysics
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The art of the cross-reference
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The glass lantern shattered: Jeremy Bentham and the demise of the Panopticon Prison
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Mauritius
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Ernest Renan
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The Obscure Charms of Mme Blavatsky
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The Bedouin of St Katherine
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Further notes from South Sinai
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Balthasar Gracian
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Richard Barnfield
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La Bièvre, the lost river of Paris
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Herbert Palmer
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Bigotry from Birth
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Spritz at the Villa
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The Feast of the Redentore
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From the Øιλοκαλíα to Franny’s pea-green book
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Against mysticism
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Hell…and its abolitions
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Michelson, Morley and the End of Certainty
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Materializations
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The Art of Flying
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Mars
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The Martian Calendar
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Thomas Young’s Bakerian Lecture
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Scottish Independence — as seen from Orkney
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Passing Juice |
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Roger Scruton and ‘the nonsense machine’
|
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Passing Juice |
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Caught between history and myth in Austin, Texas
|
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Passing Juice |
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Passing Juice |
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Passing Juice |
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Passing Juice |
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Passing Juice |
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Passing Juice |
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Passing Juice |
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Passing Juice |
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Passing Juice |
|
Trollope Prize
|
Externo |
Passing Juice |
|
George Mackay Brown
|
Interno |
Passing Juice |
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Binary and Quantum Thinking
|
Interno |
Passing Juice |
|
The Iron Pier
|
Interno |
Passing Juice |
|
Curriculum Violette
|
Interno |
Passing Juice |
|
Purgatory
|
Interno |
Passing Juice |
|
‘Something’ and more
|
Interno |
Passing Juice |
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Messages of Bewilderment
|
Interno |
Passing Juice |
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The Love of Women
|
Interno |
Passing Juice |
|
What Clings
|
Interno |
Passing Juice |
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Contra Mortem
|
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Passing Juice |
|
three new poems
|
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Passing Juice |
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Easter in Pittsburgh
|
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Passing Juice |
|
Manifestos for a lost cause
|
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Passing Juice |
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Dreamt Affections
|
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Passing Juice |
|
Aural Triptych
|
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Passing Juice |
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Two Old Judges Stuck All Night in the Lift
|
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Passing Juice |
|
Homage to Lorand Gaspar
|
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Passing Juice |
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High Street report: Three tales of commerce
|
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Passing Juice |
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‘Just’ and two more prose poems
|
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Passing Juice |
|
Honey, a memoir
|
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Passing Juice |
|
The Spring 2021 short shelf
|
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Passing Juice |
|
Garden Eclogue 10
|
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Passing Juice |
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Episode 38 of ‘Living Dead’ and two more prose poems
|
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Passing Juice |
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The ‘Fortnightly’—a retrospect
|
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Passing Juice |
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reviews Michelene Wandor
|
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Passing Juice |
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‘An Edge of the World’ with ‘Naranja Amarga’
|
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Passing Juice |
|
Adorno on music: Schoenberg
|
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Passing Juice |
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Looking at pictures on walls
|
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Passing Juice |
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Representation in millimetres
|
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Passing Juice |
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Gianfranco Rosi’s marginalia
|
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Passing Juice |
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Kino Atlantyk
|
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Passing Juice |
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At this moment
|
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Passing Juice |
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How the robots of the world’s richest man
|
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Passing Juice |
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‘Measuring Distances’
|
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Passing Juice |
|
another famous Jew
|
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Passing Juice |
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John Fowles, Gentleman
|
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Passing Juice |
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Art and Innocence
|
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Passing Juice |
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San Miniato
|
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Passing Juice |
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To Field Flowers
|
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Passing Juice |
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Last Kind Words
|
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Passing Juice |
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‘Ghost’ and eight more poems
|
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Passing Juice |
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The Metaphoric Graveyard
|
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Passing Juice |
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Poetry Notes: Winter reading
|
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Passing Juice |
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June Haunting
|
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Passing Juice |
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Kallic Distance
|
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Passing Juice |
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Thesis: Stravinsky
|
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Passing Juice |
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Two uncollected personal poems
|
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Passing Juice |
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reviews
|
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Passing Juice |
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The reascent of Spengler’s Decline
|
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Passing Juice |
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Three new poems
|
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To the Muses
|
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Passing Juice |
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Le meutre
|
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Passing Juice |
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Trees the Seed
|
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Passing Juice |
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Freeing Up
|
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Passing Juice |
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Wanton and two more poems
|
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Passing Juice |
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Melancholy’s black sun
|
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Passing Juice |
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Words and Lies
|
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Passing Juice |
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Leslie Stephen and the Metaphysicals
|
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Passing Juice |
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The Present Dystopian Paranoia
|
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Passing Juice |
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Freedom and justice at the Warburg
|
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Passing Juice |
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Brexit Fudge
|
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Passing Juice |
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The Curious Materialist
|
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Passing Juice |
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Cambridge and two more poems
|
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Passing Juice |
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Gerard Manley Hopkins: No Worst There Is None
|
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Passing Juice |
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Dragon Rock, and two more short fictions
|
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Passing Juice |
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Back to the drawing board
|
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Passing Juice |
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Customer. Relationship. Management
|
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Passing Juice |
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Strictly Scrum
|
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Passing Juice |
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On Elegance
|
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Passing Juice |
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Telling it for ourselves
|
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Passing Juice |
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Good Writer Hašek
|
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Passing Juice |
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Six prose poems
|
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Passing Juice |
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In Djibouti
|
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Immanuel Kant and the origin of the dialectic
|
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Passing Juice |
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Three bilinguacultural poems
|
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The Optician
|
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a bean)
|
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Passing Juice |
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The London Cage
|
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Passing Juice |
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Seven new poems
|
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Passing Juice |
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poetry of social commitment
|
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Passing Juice |
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The poet as essayist
|
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Passing Juice |
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On Gathering and Togethering in Medellin
|
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Passing Juice |
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Two songs
|
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Passing Juice |
|
What Heroism Feels Like
|
Interno |
Passing Juice |
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Two poems
|
Interno |
Passing Juice |
|
Iconoclasm and portraiture in recent fiction
|
Interno |
Passing Juice |
|
Adorno on modern music
|
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Passing Juice |
|
The School of Giorgione
|
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Passing Juice |
|
after reading Heine
|
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Passing Juice |
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Six new poems
|
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Passing Juice |
|
Macanese Concrete
|
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Passing Juice |
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Leave-taking
|
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Passing Juice |
|
’
|
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Passing Juice |
|
Laura Riding’s many modes
|
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Passing Juice |
|
list of summer reviews
|
Interno |
Passing Juice |
|
Ezra Pound’s life in verse
|
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Passing Juice |
|
Carrie Etter
|
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Passing Juice |
|
Anna Forbes
|
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Passing Juice |
|
So, Dreams
|
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Passing Juice |
|
Buñuel’
|
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Passing Juice |
|
Romaniotes in America
|
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Passing Juice |
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For Once
|
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Passing Juice |
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Four prose poems
|
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|
Pain
|
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Passing Juice |
|
Three poems
|
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Passing Juice |
|
Two new poems
|
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Passing Juice |
|
London’s twin cities
|
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Passing Juice |
|
anthologist of prose poetry
|
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Passing Juice |
|
A Note on Inscape, Descriptionism and Logical Form
|
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Passing Juice |
|
Poems from ‘the Slip’
|
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Passing Juice |
|
Byatt’s Odd Angel
|
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Passing Juice |
|
Chris Arnade’s candid camera
|
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Passing Juice |
|
the Skaldic verse of Orkney
|
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Passing Juice |
|
Tristia
|
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Passing Juice |
|
Poetry Notes for Summer 2020
|
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Passing Juice |
|
Nine haibun
|
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Passing Juice |
|
Hurt Detail and two more prose poems
|
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Passing Juice |
|
Ten prose poems, five about men
|
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Passing Juice |
|
The Latest Event in the History of the Novel
|
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Passing Juice |
|
Viduities
|
Interno |
Passing Juice |
|
As Grass Will Amend (Intend) Its Surfaces
|
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Passing Juice |
|
More delicate, if minor, interconnections
|
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Passing Juice |
|
Walking While White
|
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Passing Juice |
|
short fictions
|
Interno |
Passing Juice |
|
Four new poems
|
Interno |
Passing Juice |
|
the significance and frailty of Raymond Crump
|
Interno |
Passing Juice |
|
Ottomania
|
Interno |
Passing Juice |
|
Gowersby
|
Interno |
Passing Juice |
|
The Jinn of Failaka
|
Interno |
Passing Juice |
|
Hung Particles
|
Interno |
Passing Juice |
|
Three poems from ‘Sovetica’
|
Interno |
Passing Juice |
|
Against Pound
|
Interno |
Passing Juice |
|
Shakespeare’s Dysnarrativia
|
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Passing Juice |
|
Olive Custance
|
Interno |
Passing Juice |
|
Three gardens and a dead man
|
Interno |
Passing Juice |
|
Two new poems
|
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Passing Juice |
|
Mob Think
|
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Passing Juice |
|
Love, Loss and Chianti’
|
Interno |
Passing Juice |
|
spring storm
|
Interno |
Passing Juice |
|
mind-body reflections
|
Interno |
Passing Juice |
|
Pages from the Croatian Notebook
|
Interno |
Passing Juice |
|
tribute to Eugene Dubnov
|
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Passing Juice |
|
Two poems
|
Interno |
Passing Juice |
|
Four poems from ‘Lectio
|
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Passing Juice |
|
Seven very short stories
|
Interno |
Passing Juice |
|
How to Write Poetry
|
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Passing Juice |
|
Perturbation of Baruch
|
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Passing Juice |
|
Bird of four tongues
|
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Passing Juice |
|
Abstract Wealth and Community
|
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Passing Juice |
|
Blame it on the rain
|
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Passing Juice |
|
Breakfast with Mrs Greystone
|
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Passing Juice |
|
The last Mantegna:
|
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Passing Juice |
|
She went to the hospital for an infection
|
Interno |
Passing Juice |
|
Tradition
|
Interno |
Passing Juice |
|
Autumn reviews
|
Interno |
Passing Juice |
|
The Political Agent
|
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Passing Juice |
|
Mother child:
|
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Passing Juice |
|
The marital subtext
|
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Passing Juice |
|
Swincum-le-Beau
|
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Passing Juice |
|
Gibraltar Point
|
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Passing Juice |
|
Six quite brief fictions
|
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Passing Juice |
|
E.M. Cioran
|
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Passing Juice |
|
Blind man’s fog
|
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Passing Juice |
|
None of us
|
Interno |
Passing Juice |
|
Rankine’s uncomfortable citizenship
|
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Passing Juice |
|
Languages: A Ghazal
|
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Passing Juice |
|
Seven more poems
|
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Passing Juice |
|
Five poems from ‘Mattered by Tangents’
|
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Passing Juice |
|
Freewheeling
|
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Passing Juice |
|
‘Noise’ and three more new poems
|
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Passing Juice |
|
T-units and n-grams
|
Interno |
Passing Juice |
|
Seven new poems
|
Interno |
Passing Juice |
|
Empyrean Suite
|
Interno |
Passing Juice |
|
on the life of the Adjunct Prof
|
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Passing Juice |
|
The talk of The Dolphin
|
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Passing Juice |
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Eight poems from
|
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Passing Juice |
|
Who will read short stories?
|
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Passing Juice |
|
Eavesdropping on Olmecs
|
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Passing Juice |
|
new poems
|
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Passing Juice |
|
Capernaum
|
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Passing Juice |
|
prose-poetry
|
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Passing Juice |
|
Moris Farhi
|
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ball in Brussels
|
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Passing Juice |
|
Third Person Theatre Co., and ‘The Noises’
|
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Passing Juice |
|
gulp of prose poems
|
Interno |
Passing Juice |
|
new item
|
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Passing Juice |
|
a full half-dozen
|
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Passing Juice |
|
Apollo 17 and the Cartoon Moon
|
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Passing Juice |
|
Pickle-fingered truffle-snouter
|
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Passing Juice |
|
April Is the Cruellest Month
|
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Passing Juice |
|
The Beginning and the End of Art
|
Interno |
Passing Juice |
|
Everything in This Room is Edible
|
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Passing Juice |
|
Boy
|
Interno |
Passing Juice |
|
Beckett, Joyce, words, pictures
|
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Passing Juice |
|
new translations
|
Interno |
Passing Juice |
|
Poetry written in Britain’s ‘long moment’
|
Interno |
Passing Juice |
|
Remembering Ovid
|
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Passing Juice |
|
Four new poems
|
Externo |
Passing Juice |
|
Discount entrepreneurship and the start-up accelerator
|
Interno |
Passing Juice |
|
‘Half a Black Moon’
|
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Passing Juice |
|
What I did and how I did it
|
Interno |
Passing Juice |
|
three indelible images left
|
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Passing Juice |
|
r
|
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Passing Juice |
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Three prose poems
|
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Passing Juice |
|
In Keen and Quivering Ratio
|
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Passing Juice |
|
A Boat-Shape of Birds
|
Interno |
Passing Juice |
|
First-Person ‘Identity’ Poems
|
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Passing Juice |
|
A Poetic Sequence from ‘Trás-os-Montes’
|
Interno |
Passing Juice |
|
Brexit and the backstop
|
Interno |
Passing Juice |
|
The tragedy of Brexit
|
Interno |
Passing Juice |
|
back in the building
|
Interno |
Passing Juice |
|
11.11.11.18
|
Interno |
Passing Juice |
|
Maria, towards Cartoceto
|
Interno |
Passing Juice |
|
Typesetters delight
|
Interno |
Passing Juice |
|
Nigel Foxell
|
Interno |
Passing Juice |
|
rambles through Tooting
|
Interno |
Passing Juice |
|
Barry MacSweeney and John James
|
Interno |
Passing Juice |
|
Listening to Country Music
|
Interno |
Passing Juice |
|
four poems
|
Interno |
Passing Juice |
|
the new palace
|
Interno |
Passing Juice |
|
War and the memory of war
|
Interno |
Passing Juice |
|
true surrealist attentiveness
|
Interno |
Passing Juice |
|
Three place-poems
|
Interno |
Passing Juice |
|
New fiction
|
Interno |
Passing Juice |
|
Faces Places’ by
|
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Passing Juice |
|
A woman’s best friend.
|
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Passing Juice |
|
Four short prose pieces
|
Interno |
Passing Juice |
|
Coleridge’s Eyes
|
Interno |
Passing Juice |
|
Keith Bosley
|
Interno |
Passing Juice |
|
Posthuman and categorically nebulous art writing
|
Interno |
Passing Juice |
|
extravagent mystery
|
Interno |
Passing Juice |
|
our partial archive
|
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Passing Juice |
|
Contact
|
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Passing Juice |
|
Books received
|
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Passing Juice |
|
here.
|
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Passing Juice |
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here
|
Externo |
Passing Juice |
|
here.
|
Externo |
Passing Juice |
|
Stafford Gallery
|
Externo |
Passing Juice |
|
Conformity, censorship and oppression.
|
Interno |
Passing Juice |
|
Making sense of the coronavirus.
|
Interno |
Passing Juice |
|
There are more than 170,000 words in the English language.
|
Interno |
Passing Juice |
|
The flowering of cheap gumshoe journalism in America.
|
Interno |
Passing Juice |
|
Turner’s Loom.
|
Interno |
Passing Juice |
|
Martin Harrison's pastoral poetry
|
Interno |
Passing Juice |
|
Narrative Poetry
|
Interno |
Passing Juice |
|
Summer's end 2013
|
Interno |
Passing Juice |
|
zip
|
Interno |
Passing Juice |
|
New York poets
|
Interno |
Passing Juice |
|
The youth tactic
|
Interno |
Passing Juice |
|
Edward Dorn
|
Interno |
Passing Juice |
|
What's happened to 'working-class' poetry?
|
Interno |
Passing Juice |
|
The ‘infinitely expandable’ minimalism of Anthony Barnett
|
Interno |
Passing Juice |
|
The prosaic declarations of ‘world poetry’
|
Interno |
Passing Juice |
|
Books received: Summer 2012
|
Interno |
Passing Juice |
|
Alistair Noon and the English Sonnet
|
Interno |
Passing Juice |
|
Peter Hughes and Oystercatcher Press
|
Interno |
Passing Juice |
|
Poetry Prize Culture and the Aberdeen Angus
|
Interno |
Passing Juice |
|
Denise Riley and the force of bereavement
|
Interno |
Passing Juice |
|
Poetry beyond the cults and enclaves
|
Interno |
Passing Juice |
|
Sainsbury Centre for Visual Arts
|
Interno |
Passing Juice |
|
Scottish National Museum
|
Interno |
Passing Juice |
|
Writers Museum, Dublin
|
Interno |
Passing Juice |
|
William Blake
|
Interno |
Passing Juice |
|
Therianthropes and vents.
|
Interno |
Passing Juice |
|
Constellations
|
Interno |
Passing Juice |
|
Pattern recognition and the periodic table
|
Interno |
Passing Juice |
|
Extremities of perception in an age of lenses
|
Interno |
Passing Juice |
|
Demotic ritual
|
Interno |
Passing Juice |
|
Science and disenchantment
|
Interno |
Passing Juice |
|
The self-subversion of the book
|
Interno |
Passing Juice |
|
Newton's prisms
|
Interno |
Passing Juice |
|
The Janus face of Metaphor
|
Interno |
Passing Juice |
|
Clues and labyrinths
|
Interno |
Passing Juice |
|
Ruin, the collector and sad mortality
|
Interno |
Passing Juice |
|
Deganello's 'Torso' sofa
|
Interno |
Passing Juice |
|
Kuramata's 'Miss Blanche' chair
|
Interno |
Passing Juice |
|
A silver fruit bowl by Ettore Sottsass
|
Interno |
Passing Juice |
|
Pistoletto’s wall lamp
|
Interno |
Passing Juice |
|
Franz West's austere chain lamp
|
Interno |
Passing Juice |
|
Joseph Kosuth's dream of Freud's couch
|
Interno |
Passing Juice |
|
Lawrence Weiner's mythic waste basket
|
Interno |
Passing Juice |
|
...and his desk and bench with a message
|
Interno |
Passing Juice |
|
Ugo and the waves.
|
Interno |
Passing Juice |
|
Holiday? What holiday?
|
Interno |
Passing Juice |
|
What’s my number?
|
Interno |
Passing Juice |
|
Welcome to the New World Order.
|
Interno |
Passing Juice |
|
Bowie, without the jackboot.
|
Interno |
Passing Juice |
|
Into the woods, everybody.
|
Interno |
Passing Juice |
|
Thought Leaders and Ted Talks
|
Interno |
Passing Juice |
|
A note on the Fortnightly’s ‘periodicity’.
|
Interno |
Passing Juice |
|
Cookie Policy
|
Interno |
Passing Juice |
|
Editorial statement and submission guidelines.
|
Interno |
Passing Juice |
|
For subscribers: Odd Volumes from The Fortnightly Review.
|
Interno |
Passing Juice |
|
Mrs Courtney’s history of The Fortnightly Review.
|
Interno |
Passing Juice |
|
Newsletter
|
Interno |
Passing Juice |
|
Submission guidelines.
|
Interno |
Passing Juice |
|
Support for the World Oral Literature Project.
|
Interno |
Passing Juice |
|
The Fortnightly Review’s email list.
|
Interno |
Passing Juice |
|
The Trollope Prize.
|
Interno |
Passing Juice |
|
Free access
|
Interno |
Passing Juice |
|
· Hugh Chisholm
|
Interno |
Passing Juice |
|
· Elliott Coleman
|
Interno |
Passing Juice |
|
· Robert Coover
|
Interno |
Passing Juice |
|
· Anthony Howell
|
Interno |
Passing Juice |
|
· Ann Lauterbach
|
Interno |
Passing Juice |
|
· Lawrence Markert
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· Myra Sklarew
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· Martin Sorrell
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· William Stafford
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· James Thomson
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· Paul Verlaine
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· Michelene Wandor
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· Stephen Wiest
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Michelene Wandor on Derek Walcott and the T.S. Eliot Prize
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Anthony Howell: The new libertine in exile
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Kate Hoyland: Inventing Asia, with Joseph Conrad and a Bible for tourists
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Martin Sorrell on John Ashbery’s illumination of Arthur Rimbaud
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Prohibition’s ‘original Progressives’
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European populism?
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The Fortnightly Review
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The New Series
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NINES
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XHTML
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CSS
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Plugins Wordpress
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Themes Wordpress
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Documents Wordpress
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